Pasticheur’s Addiction

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The Boojum Press edition of the Guide (1997).
(Frame supplied by Mark Roberts.)

A few days ago we had the CD cover meme which encourages people to create cover designs for invented groups generated by random means. In a similar vein but minus the random element there’s the growing selection of books by reclusive author Constance Eakins. A Flickr pool has been established for newly-discovered Eakins volumes and you can read more about the mysterious writer here.

This flourishing of pasticheury encourages me to post some of the cover designs I created for the various editions of The Thackery T Lambshead Pocket Guide to Invented and Discredited Diseases, a fake disease guide published in 2003 and edited by Jeff VanderMeer and Mark Roberts. The anthology featured a host of notable contributors and was great fun to work on. Although these were done in colour, they were all printed in black & white inside the book, with a shrunken glimpse of the colour versions on the rear of the dust jacket. My jacket design wasn’t used on subsequent printings so this is the first many people will have seen of these.

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The art of Michiko Hoshino

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Library Recollection II (1993).

Artist Michiko Hoshino (born 1934) has produced a number of lithograph portfolios based on the work of Jorge Luis Borges. More inspirations than illustrations, which is no bad thing, with disembodied clock faces and—unsurprisingly—books among the melting textures.

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Garden of Borges—Labyrinth (2001).

A Japanese gallery page
An American gallery page

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The etching and engraving archive

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Penguin Labyrinths and the Thief’s Journal

Penguin Labyrinths and the Thief’s Journal

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Detail from La Havane by René Portocarrero; photo by C. Marker.

This week’s book finds are a pair of titles I hadn’t come across before in these particular editions, another haul from the vast continent that is the Penguin Books back catalogue. Labyrinths I’ve had for years in a later edition (see below) but the cover of this one seems more suited to Borges (as much as he can be illustrated) than the somewhat bland Surrealism of illustrator Peter Goodfellow. René Portocarrero (1912–1985) was a Cuban painter with a post-Picasso style who specialised in hallucinogenic profiles like the one here. And it’s a guess but I’d bet the “C. Marker” who photographed the painting is French filmmaker Chris Marker (who I compared to Borges last year), director of La Jetée and Sans Soleil. Marker worked as a photo-journalist for many years and made a documentary entitled ¡Cuba Sí! in 1961.

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