{illustrators} – Page 38

Weekend links 448

Gas Tanks 1965–2009 by Bernd Becher and Hilla Becher.

• At Dangerous Minds: the drawings produced by Moebius for Maxwell House in 1989 are better than the coffee whose sales they were intended to assist.

• Jarman Volume 2: 1987–1994, the BFI’s second collection of Derek Jarman films, is now available for pre-order.

• More Gorey: Cara Giaimo on Edward Gorey’s hoards and collections.

That movie [Susan Slade]—and I even have the paperback novelization of it—is a moment. That’s a perfect example. They would never release that image as a still of the movie. Come see a baby catch on fire! To me, I’m kind of rewriting the films as these scenes. That was a real shock to me as a teenager when I saw that. And I thought, Did that just happen? Her baby caught on fire? I remember in Serial Mom I had a big fight with a film executive who said that you can’t have her set her kid’s friend on fire. You can’t do that. And I said, “Why, it’s been in movies forever.” And I’m thinking of Susan Slade, but I’m thinking there’s no point using that in the argument.

John Waters talking to Gina Telaroli about his films but mostly about his works for the art gallery

• Georgina Guthrie on how green became cinema’s loneliest colour.

• Tom Crewe reviews Edward Burne-Jones at Tate Britain.

• Mix of the week: FACT Mix 688 by Steve Hauschildt.

• At Strange Flowers: 19 books for 2019.

• Jenzeits Cosmic Worlds by Jenzeits.

• Green Onions (1962) by Booker T. & The MGs | Green (1966) by Ken Nordine | Green Fuz (1969) by Randy Alvey And The Green Fuz

Weekend links 446

The Ghost Box label releases a new album by the excellent Pye Corner Audio in February (previews are here). The spectral design, as ever, is by Julian House.

• “In October 1966, Phyllis Willner arrived on motorcycle in San Francisco as a teenage Jewish runaway from Jamaica, Queens. She quickly fell in with the Hell’s Angels, the San Francisco Mime Troupe and, most crucially, the Diggers, who were just getting their street radical thing together in the Haight-Ashbury. The next two years would be eventful: many extraordinary highs, some really terrible lows.” Jay Babcock talks to Phyllis Willner about her involvement with “the executive branch of the hippie movement”, the Diggers.

• At Expanding Mind: Erik Davis talks with religious scholar Diana Pasulka about UFOs, scientific believers, book encounters, elite cabals, studying weirdness, and her new book American Cosmic: UFOs, Religion, Technology.

• Kenneth Anger is now 91 but he still appears hale, and looks even more magus-like than ever. This short film by Floria Sigismondi finds him reminiscing in the antiquated confines of the Chateau Marmont hotel on Sunset Boulevard.

David Wojnarowicz did not write dark fantasy. He wrote real life. In The Waterfront Journals he brilliantly captures electric tales from the mouths of strangers, those he described as “junkies, prostitutes, male hustlers, truck drivers, hobos, young outlaws, runaway kids, criminal types”, whose lives echo his own ostracized existence. He was thirteen when he was first paid for sex and sixteen when he started “turning tricks” regularly. His mother kicked him out of the house. By the time Wojnarowicz came out to friends in New York, he was in his early twenties. He was on the cusp of finding his voice as a writer and his confidence as an artist. It was the mid-1970s. AIDS was about to tear through the gay community.

Lara Pawson reviews three books by artist and writer David Wojnarowicz

• John Banville reviews Kafka’s Last Trial by Benjamin Balint: “A scrupulous study of the squabble between Germany and Israel over Kafka’s papers, and the two women caught in the middle.”

• A sitting with the diva of the diode: electronic musician Suzanne Ciani in conversation with Christine Kakaire.

• Mixes of the week: Secret Thirteen Mix 076 by KK Null, and XLR8R Podcast 574 by SHXCXCHCXSH.

• Cassie Packard on the colorful and clairvoyant history of aura photography.

• Edward Gorey’s Children’s Books Illustrations, Revisited.

• Alison Flood on the fascination of miniature books.

• Magic Hollow (1967) by The Beau Brummels | Hollow Stone (1972) by Khan | Through Hollow Lands (For Harold Budd) (1977) by Brian Eno

Weekend links 445

Masayo Fukuda‘s octopus is cut from a single sheet of paper.

• “But in the title track, Homosapien contains a truly great song; four and a half minutes of bubbling synth and clever wordplay, atop which Shelley puts to one side the knowing coyness he’d frequently inserted into his contributions to the Buzzcocks catalogue, loosens his tie, and, as much as he ever committed to tape, is explicit in telling the listen exactly what he desires.” James McMahon on Pete Shelley’s first proper solo album.

• Kosmischer Läufer, the reissue project for East German kosmische music of the 1970s which may not be entirely authentic, has now reached its fourth volume. Authentic or not, the attention to detail is impressive.

• One of my favourite browsing places this month: NASA Image and Video Library.

• At Dangerous Minds: Eric Stanton and the History of the Bizarre Underground.

• Public domain artworks in high resolution at the Art Institute of Chicago.

• Mix of the week: FACT Mix 686 by the The Radiophonic Workshop.

• At Dennis Cooper’s: Les Blank Day.

• Art of the Poster 1880–1918.

• cakeordeathsite

• Interstellar Rock: Kosmische Musik (1974) by Cosmic Jokers | Sehr Kosmisch (1974) by Harmonia | Meine Kosmische Musik (1974) by Sternenmädchen

Weekend links 444

Visions Cosmiques—Improvisations Dédiées À L’équipage D’Apollo 8 (1969) by Jean Guillou. No designer credited.

• 50 years ago this weekend Apollo 8 was on its way to the Moon. Jean Guillou’s album of organ improvisations took the mission as its inspiration although his turbulent music seems more suited to the near-disaster of Apollo 13 than the weightless drift of space travel. The album has been out-of-print for decades but may be heard in full here and here. Related: the Discogs listing for the Philips’ Prospective 21e Siècle series of avant-garde music. Most of the other albums in this series remain unreissued, and are now very collectible, not least because of their metallic “Heliophore” sleeves.

• Christmas cheer be damned: the spook season extends from Halloween to the end of the year. At These Unquiet Things, Sarah Chavez offers a list of favourite seasonal vampires, witches and ghosts. For those who prefer something televisual that isn’t more MR James, The Lorelei (1990) is a feature-length supernatural drama written by Nick Dunning. And speaking of the unavoidable James, Sarah K Marr presents an annotated analysis of A Warning to the Curious embellished with her excellent photos of the area of the Norfolk coast where the story is set.

• At Bandcamp: Voltaic Liturgies: “A symbiosis of flesh, machinery and umbral cosmic mysticism” by Primitive Knot and The Wyrding Module; and In The Sunshine We Rode The Horses by Rowan : Morrison (Rowan Amber Mill with Angeline Morrison): “The album explores themes of our beautiful natural surroundings, and how the pursuit of profit guides us to learn ‘the cost of everything and the value of nothing’, paving the way for the scarring of the landscape with fracking, HS2, retail parks, and so on…”

• “Influential Manga Artist Gengoroh Tagame on Upending Traditional Japanese Culture”. Tagame is also a prolific gay porn illustrator, a part of his career the headline avoids although it is acknowledged in Anne Ishii’s interview.

• Mixes of the week: Dream Perception Mix by Moon Wiring Club, Strange Great Snow: A Conjuror’s Hexmas by Seraphic Manta, December’s Reverie by Cafekaput, and Secret Thirteen Mix 275 by CoH.

• On the Scary Thoughts podcast: Erik Davis on philosophical pessimism, cosmic horror, police procedurals, serial killers, gnostic notions, and Louisiana as featured in the first season of True Detective.

• Manuscripts, letters and other documents by HP Lovecraft are now digitised and available for browsing at Brown University Library.

• William Hope Hodgson—The Essex-born Master of Horror: a biographical essay by Peter Berresford Ellis.

• The best ambient releases of 2018 according to FACT.

• At Dennis Cooper’s: Donald Sutherland Day.

• Sandspiel

• Rocket USA (1977) by Suicide | Ticket To The Moon (1981) by Electric Light Orchestra | From Ape to Apollo (1994) Thomas Fehlmann

Weekend links 443

• Yet more Gorey: Mark Dery’s biography of the artist prompted The New Yorker to unearth a piece of cover art that Edward Gorey submitted 25 years ago. In the same magazine Joan Acocella reviews Dery’s book and examines Gorey’s life and art. At Expanding Mind, Erik Davis talks with Mark Dery about Surrealism, the gay voice, Penny Dreadfuls, and the occult and Taoist influences in Gorey’s work.

• Moving Through Old Daylight: Mark Fisher, Jim Jupp & Julian House of Ghost Box Recordings, and Iain Sinclair in conversation at the Roundhouse, Camden, London, 5 June 2010. Topics under discussion included Nigel Kneale, TC Lethbridge, John Foxx, BBC Radiophonic Workshop, alchemies of sound, the homogenisation of culture, imagining space and the impersistence of memory.

• “A radical retelling of our relationship with the cosmos, reinventing the history of astronomy as a new form of astrological calendar.” The Space Oracle by Ken Hollings.

There was a deliberate, almost prickly quality to Fisher’s writing and thinking that is rare nowadays, when criticism is more likely to involve open-minded rationalizing than steadfast refusal. He was not one to frolic in ambiguity or irony. “Just because something is current doesn’t mean it is new,” he writes in K-Punk, as he wonders if a time traveller from the nineties would find any contemporary music as radical as post-punk or jungle had once seemed to him. When everything is cheerfully “retro,” Fisher argued, we lose our grasp on history—and, without a sense of why the past happened the way it did, our anything-goes embrace of “happy hybridities” is an empty gesture. “What pop lacks now is the capacity for nihilation, for producing new potentials through the negation of what already exists,” he writes.

Hua Hsu on Mark Fisher’s K-Punk

• At Wormwoodiana: Mark Valentine on The Wind Protect You (1946), a novel by Pat Murphy which Mark describes as a forgotten precursor of Watership Down.

• “At once tiny and huge: what is this feeling we call ‘sublime’?” Sandra Shapshay explores the Romantic aesthetic.

• Dennis Cooper‘s favourite fiction, poetry, non-fiction, film, art, and internet of 2018. Thanks again for the link here!

• Mixes of the week: XLR8R Podcast 572 by Nastia, and FACT Mix 683 by Casino Versus Japan.

• A Child’s Voice (1978) by David Thomson, an overlooked ghost story starring TP McKenna.

• Jean Cocteau’s Orphée returns from the underworld via BFI blu-ray next month.

• Rated SAVX: The Savage Pencil Scratchbook

• Orpheus (1967) by The Walker Brothers | Orpheus (1987) by David Sylvian | Overture To Orpheus (2003) by Colin Booth