The Budweiser Ganymede

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Budweiser advertising art, 1906.

Hard to believe that the self-styled King of Beers used to advertise itself using a gay episode from Classical mythology but here’s the evidence. Zeus falls in love with the beautiful youth and, in the form of an eagle, bears him away to Mount Olympus. In some depictions this event is called The Rape of Ganymede which suggests there was some other “mounting” taking place as a result; maybe the eagle had drunk one too many beers?

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Budweiser advertising art, 1892.

Elsewhere on { feuilleton }
The gay artists archive

A premonition of Premonition

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Jungle Tales of Tarzan by Burne Hogarth (Watson-Guptill, 1976).

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Premonition (Sony Pictures, 2007).

And multiple works by Salvador Dalí

Previously on { feuilleton }
L’Amour Fou: Surrealism and Design
Perfume: the art of scent
Metropolis posters
Film noir posters

Cocteau at the Louvre des Antiquaires

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Orphée aux points by Jean Cocteau (1950).

An exhibition of Cocteau drawings from the collection of
Dominique Bert opens today at the Louvre des Antiquaires, Paris.

Jean Cocteau (1899–1963): Collection privée de Dominique Bert
23rd March–22nd April 2007
Le Louvre des Antiquaires
2, Place du Palais Royal
75001 PARIS

Previously on { feuilleton }
Fantômas
La Villa Santo Sospir by Jean Cocteau

The Illustrators of Alice

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Latest book purchase is this large format volume from 1972, one of a number of interesting art books produced by Academy Editions in the early seventies. I also have their monographs on Odilon Redon, “insane” painter Richard Dadd, and their collection of Félicien Rops‘ pornographic and “Satanist” drawings which remains one of the few Rops books published in English.

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Through the Looking-Glass by Mervyn Peake (Allen Wingate, London, 1954).

This collection is worth seeking out if you’re interested in minor Victorian and Edwardian illustrators. The book goes through each chapter of the Alice stories showing examples of illustrated editions by a wide range of illustrators and artists, from Lewis Carroll’s original drawings, Tenniel’s inimitable renderings, then on through the twentieth century, featuring artists such as Peter Blake, Ralph Steadman and even a picture by Max Ernst. The cover drawing is one of my favourites, from Charles Robinson, brother of the more famous William Heath. I also like the pictures by the great Mervyn Peake, one of the few illustrators who seemed able to overcome Tenniel’s dominance and show us something new.

The Alice books are one of the great “standards” (in the jazz sense) of illustration although I can’t say I’ve ever felt the temptation to approach them myself. Loathsome monstrosities from hideously-angled dimensions beyond space and time, yes; small Victorian girls and white rabbits, no.

Elsewhere on { feuilleton }
The illustrators archive

Czanara’s Hermaphrodite Angel

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More obscure art, only now we’re talking really obscure. This remarkable picture, The Hermaphrodite-Angel of Peladan by Czanara, turned up in the archives of Russ Kick’s seemingly abandoned Rare Erotica blog. “Czanara” was one Raymond Carrance (1921–?), a gay artist who I haven’t come across before and who seems to be completely absent not only from my library, but from most of the web. A great shame, if there’s more of his work like this I want to see it.

The “Peladan” of the title might be a reference to Sâr Péladan, founder of the Catholic Order of the Rose and the Cross in fin de siècle Paris, and guru to a number of significant Symbolist painters, including the brilliant Jean Delville. Hermaphroditism and androgyny were important themes for Péladan who declared, in an outburst typical of the period, “the androgyne, is the plastic ideal!” Czanara’s picture is certainly Symbolist in its details—those multiplied wings and hippogriffs—even if its intent is most likely a result of mundane pornographic imperatives.

Elsewhere on { feuilleton }
The gay artists archive
The fantastic art archive

Previously on { feuilleton }
Angels 4: Fallen angels