{black and white} – Page 47

Ronald Balfour’s Rubáiyát

If the work of illustrator Ronald Balfour (1896–1941) isn’t as well-known as it should be it’s probably because his 1920 edition of the Rubáiyát is his sole major work according to a recent feature in Book & Magazine Collector. These illustrations were produced when he was 24 and while the drawing can be uncertain in places, they’re really splendid examples of the post-Beardsley style, owing far more to Aubrey’s flourishes and details than to the usual Arabian exotica found in other Omar Khayyam adaptations. As usual I love the profusion of peacocks and winged figures, and, unlike many rare editions of this period, we’re fortunate that someone has put all the illustrations onto Flickr. Feast your eyes here.

Elsewhere on { feuilleton }
• The illustrators archive

Wildeana

The Ballad of Reading Gaol (1907).

I finished reading Neil McKenna’s excellent biography recently, The Secret Life of Oscar Wilde, a book which makes an ideal companion to Richard Ellmann’s 1987 life of Wilde. Whilst reading about the two trials I remembered that among five pages of digitised Wilde volumes at the Internet Archive there’s a 1906 book, The Trial of Oscar Wilde: From the Shorthand Reports whose contents are what you’d expect from the title. Browsing through the other files there revealed further items of note such as this edition of The Ballad of Reading Gaol published a year later and illustrated throughout by J Latimer Wilson. The page layout of text plus a narrow picture is uncommon, and from the date of publication it’s interesting to see that despite Wilde’s shattered reputation there was still money to be made printing his books.

The Ballad of Reading Gaol (1907).

Among the other volumes are two finely illustrated editions of his short stories. The edition of A House of Pomegranates below comes with drawings by Ben Kutcher, an artist about whom I know nothing other than his style is very similar to that of the great Harry Clarke. The introduction is a surprise, a serious appraisal of Wilde’s life by HL Mencken who admired the way the author stood against the prevailing morality of the day. There’s also an edition of The Happy Prince and Other Tales from 1920 illustrated by Charles Robinson.

The House of Pomegranates (1918).

These books are mainly of note for their decoration, however. Of more interest to Wilde enthusiasts is a first edition of Robert Hichens’ The Green Carnation from 1894. Hichens was a friend of Wilde and Lord Alfred Douglas and, according to McKenna’s book, a fellow Uranian (ie: gay) who knew the pair well enough to be able to pen a scandalous roman à clef based on their relationship, helping to confirm for public opinion much that was suspected about Wilde’s outrageous lifestyle. Both Wilde and Douglas disowned Hichens and repudiated the novel but, coming a year before the Queensbury libel trial, it did neither of them any favours. Those curious to read the exploits of “Esmé Amarinth” and “Lord Reginald Hastings” may download a copy here.

Elsewhere on { feuilleton }
• The Oscar Wilde archive
• The book covers archive
• The illustrators archive

The Triumph of the Phallus

The Triumph of the Phallus (1700–1750).

We haven’t had a decent phallus picture here for a while (well, a couple of months…) so here’s one part of a three-part French engraving after a drawing by Francesco Salviati (1510–1563). Another great print from the British Museum collection. I’ll leave you to discover the triumphant member’s destination.

Via Jahsonic.

Elsewhere on { feuilleton }
• The etching and engraving archive

Previously on { feuilleton }
• Le Phallus phénoménal
• Phallic bibelots
• Phallic worship
• The art of ejaculation

The Evil Orchid Bookplate Contest

Bookplate by Denis Kostromitin.

Following the recent postings of covers and illustrations from Der Orchideengarten, Will at A Journey Round My Skull posts the results of his Evil Orchid Bookplate Contest which encouraged illustrators to create an Orchideengarten-styled bookplate design. You can see the winner and many other splendid entries on his pages. I fully intended to do something for this then got sidetracked by work on the Alice in Wonderland calendar but I’ve picked out a couple of the (inevitably) black-and-white pieces which I thought stood out. The death’s-head moth on @ndy paciorek’s picture below makes a convenient link with yesterday’s post.

Meanwhile, there’s further Orchideengarten goodness over at Arthur Magazine.

Bookplate by @ndy paciorek.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Der Orchideengarten illustrated
• David Becket’s bookplates
• Der Orchideengarten

Der Orchideengarten illustrated

Halloween approaches and as a precursor it’s a great pleasure to be able to post a selection of interior illustrations from Der Orchideengarten, courtesy of Will at A Journey Round My Skull. Der Orchideengarten was a German magazine of weird fiction which ran for 51 issues from 1919 to 1921 and whose existence today is rarely acknowledged despite being credited as the world’s first fantasy magazine. Information is scarce and these scans come from Will’s own copies which is why I’ve posted fifteen more below the fold; you can’t see this stuff anywhere else. A Journey Round My Skull featured some covers and a different set of interior illustrations earlier this year, and there should be a new post complementing this one with more of the magazine’s stunning cover designs.

What strikes me about these black-and-white drawings is how different they are in tone to the pulp magazines which followed shortly after in America and elsewhere. They’re at once far more adult and frequently more original than the Gothic clichés which padded out Weird Tales and lesser titles for many years. Some are almost Expressionist in style, while the Wild Hunt series below shows a distinct Goya influence. I’d love to know how the written content matches the illustrations; I suspect there’s the same difference of atmosphere and emphasis to American weird fiction as there is in the drawings.

Update: Will’s new post is Watering the Toxic Garden which will be followed on Thursday by the results of his Evil Orchid Bookplate Contest.

Click on any of these pictures for a larger version.

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