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Daybreak (1922) by Maxfield Parrish.
Happy new year. 02022? Read this.
The Prodigal Son (1922) by Giorgio de Chirico.
Carousel of Pigs (1922) by Robert Delaunay.
Twittering Machine (1922) by Paul Klee.
K VII (1922) by László Moholy-Nagy.
Garden Pond (1922) by Paul Nash.
A Storm (1922) by Georgia O’Keefe.
Optophone I (1922) by Francis Picabia.
Pafama (1922) by Josip Siessel.
The New Eden (1922) by Austin Osman Spare.
Circuit Railway at Grenelle (1922) by Antoine Villard.
Very thought-provoking images at the start of a new year – or any time. For which, many thanks. May 2022 bring you all you hope for and many thanks for all your posts. As we say in my part of the world, “A the best!”
Thanks, and the same to you.
When I was still writing something every day, posts such as this were a regular feature at the beginning of January. The habit lapsed for a few years but I returned to it last year. Looking back at European/American art from the 1910s/20s is particularly fruitful since there was so much going on, lots of different movements/idioms competing with each other.