In Heaven and Hell (1956) Aldous Huxley considers various forms of art that might be said to imitate or resemble the intense visuals generated by psychedelic agents. In past centuries this would include firework displays and the vivid hues of stained glass windows; when discussing the present, mention is made of NY, NY, a short film by Francis Thompson that Huxley had recently seen.
Thompson’s film presents a day in the life of New York City with every shot being subject to some form of distortion or fragmentation via prismatic lenses or reflected surfaces. Nearly sixty years later this seems less psychedelic than it would have done to Huxley, although some of the reflections give the same effects as Ira Cohen’s later Mylar Chamber photographs. Watch NY, NY here, and if you do I’d recommend muting the Mickey Mouse score.
Previously on { feuilleton }
• Fog Line, a film by Larry Gottheim
• Wavelength
• La Région Centrale
When I first saw this I thought it might have been about the poet Francis Thompson.
The Hound of Heaven was the subject of an earlier post:
http://www.johncoulthart.com/feuilleton/2007/12/16/the-hound-of-heaven-by-rh-ives-gammell/