Heimkiller.
More Giger. Among the pre-Alien films, Passagen (1972), a documentary by FM Murer about the artist’s work, is the one I’d most like to see. That’s yet to appear online, however, so in the meantime here’s two shorts from 1967 which are the earliest entries in Giger’s filmography. Heimkiller is a brief study of Giger’s Blood-Glass sculpture which shows the piece in action and does little else. High is the first of several collaborations with director FM Murer, a black-and-white journey through the late Surrealism of Giger’s early works, some of which show a slight Dalí influence. I’ve always liked the drawings in his Shafts series, some of which can be seen here: views of plunging walls threaded with staircases that were derived from nightmares about a cellar stairway in his parents’ house.
High.
Elsewhere on { feuilleton }
• The fantastic art archive
Previously on { feuilleton }
• The Man Who Paints Monsters In The Night
• Hans by Sibylle
• HR Giger album covers
• Giger’s Necronomicon
• Dan O’Bannon, 1946–2009
• Alejandro Jodorowsky’s Dune
• The monstrous tome
Giger’s early works, some of which show a slight Dalí influence.
The Bellmer influence is stronger, for me.