Ginsberg’s Howl and the view from the street

howl.jpgJames Campbell in The Guardian this weekend writes about the arrest fifty years ago of Lawrence Ferlinghetti for his publishing Allen Ginsberg’s paean to ecstatic drug use and gay sex, Howl and Other Poems. Ferlinghetti was arrested on charges of selling (or “peddling”, as these prissy turns of phrase always have it) literature likely to be harmful to minors, even though it’s hard to imagine there were gangs of schoolkids rushing into his City Lights bookstore to buy a volume of experimental poetry. The ensuing trial was the first in a series of cases in the late Fifties and early Sixties which finally established (in America, at least) that the law needed to try and keep its hands off literary works.

America since 1957 has managed to grow up on one level, with Howl now regarded as a classic work of 20th century poetry, and grow more infantile on the other, with And Tango Makes Three, a childrens’ book about gay penguins, being the most-challenged book of 2006 according to the America Library Association; you can still rely on the “g” word to get the would-be book-burners agitated. The growing gulf between perceptions of morality in the US versus those in Europe can be seen in the way that US librarians need to hold an annual Banned Books Week to draw attention to the ongoing war between prudery and licence while there’s no equivalent to this in the UK. Britons used to look enviously at America’s freedoms of speech but the atmosphere has relaxed considerably here over the past twenty years while in America it sometimes seems that the clock is running backwards. That said, Russ Kick pointed out several years ago how, even among freedom-loving librarians, some books are more defensible than others.

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The City Lights bookstore is located at 261 Columbus Avenue, San Francisco, and by coincidence I’ve spent the past couple of days exploring that locale using Google’s remarkable Street View facility which is now a feature on their San Francisco map, together with those for New York, Miami, Las Vegas and Denver. Not all the streets in these cities have been photographed yet but it’s fascinating to not only see places you’ve already been to but then turn down a side street and see the places you missed. If you want to know what it’s like to drive across the Golden Gate Bridge then here’s your chance.

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Dalí and Film

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Study for the Dream Sequence in Spellbound by Salvador Dalí (1945).

A new exhibition exploring Salvador Dalí’s connections with cinema begins at Tate Modern this weekend. Interesting seeing Dalí’s gradual reappraisal by the art establishment after years of dismissal but then it is nearly twenty years after his death.

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One welcome result of this event is an interview in the Tate’s online magazine with film director José Montes Baquer whose Dalí collaboration, Impressions of Upper Mongolia, Hommage to Raymond Roussel, I wrote about last year. This is the only substantial discussion of this curious film I’ve seen anywhere so it’s fascinating to discover that it came about as a result of Dalí urinating on a pen.

He said: “In this clean and aseptic country, I have been observing how the urinals in the luxury restrooms of this hotel have acquired an entire range of rust colours through the interaction of the uric acid on the precious metals that are astounding. For this reason, I have been regularly urinating on the brass band of this pen over the past weeks to obtain the magnificent structures that you will find with your cameras and lenses. By simply looking at the band with my own eyes, I can see Dalí on the moon, or Dalí sipping coffee on the Champs Élysées. Take this magical object, work with it, and when you have an interesting result, come see me. If the result is good, we will make a film together.”

The interview also includes a few more tantalising glimpses of the film’s images and in the same magazine there’s a piece by Roy Disney remembering Dalí’s encounter with his uncle, Walt.

Previously on { feuilleton }
Ballard on Dalí
Fantastic art from Pan Books
Penguin Surrealism
The Surrealist Revolution
The persistence of DNA
Salvador Dalí’s apocalyptic happening
The music of Igor Wakhévitch
Dalí Atomicus
Las Pozas and Edward James
Impressions de la Haute Mongolie

A splendid time is guaranteed for all

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It was forty years ago today, etc. Sgt Pepper was actually released on May 26th 1967 but June 1st was the official UK release date, June 2nd in the US. Love it or hate it (I love it, of course), popular music has to be divided into “before and after Sgt Pepper” such is the scope of the album’s impact. Yes, many of its vaunted innovations weren’t so unprecedented, yes Abbey Road is better musically, and so on. But it’s unlikely that any album will be so eagerly awaited by so many people, or be so influential, again.

Song-by-song description from the band members
Trivia page with parody covers from the Mothers to the Simpsons
The hip-hop version

Previously on { feuilleton }
Joe Orton
Please Mr. Postman
All you need is…