New things for June II

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Work on two very different CDs was completed this month, a pair of releases so different they’re almost polar opposites. Chaoticum describe their music as “art for your ears” and the label for this album is HORUS CyclicDaemon, producers of the Aleister Crowley anthology I designed in 2005. The package is a digipak and will include a poster which features one of my Great Old Ones portraits.

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Eskiboy is UK Grime artist Wiley who’s proved himself notable enough to be featured on the cover of last month’s Wire magazine. This compilation was a commission from Baked Goods in Manchester. I was trying to avoid the obvious tunnel image at first but the label was keen to see something along those lines so this is the result of the usual to-ing and fro-ing which design work often entails.

Meanwhile the CD I designed earlier this year for Turisas is now in the shops and the band is interviewed in this month’s Metal Hammer. I’ll be putting the full artwork for all these releases onto the site over the next week or so.

Friendly Fire: Jonathan Barnbrook

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The Barnbrook Bible, out in September.

Jonathan Barnbrook at the Design Museum, 19 June–10 October 2007.

Jonathan Barnbrook has emerged in the past two decades as one of the UK’s most consistently innovative graphic designers. Pioneering graphic design with a social conscience, Barnbrook makes powerful statements about corporate culture, consumerism, war and international politics. Through his work in both commercial and non-commercial spheres he combines wit, political savvy and bitter irony in equal measures.

Friendly Fire traces Barnbrook’s career from early experiments in pure typography and pioneering motion graphics in the early 1990s, to recent work, including his latest projects with collaborators such as the anti-corporate collective Adbusters. Drawn from the designer’s own archive, the work represented will span the wide range of disciplines in which the Barnbrook studio work, including one of their most pioneering areas—typeface design.

Previously on { feuilleton }
Jonathan Barnbrook interviewed

The temples of Angkor

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The Temple of Bakong (2001).

The temples and ruins of Angkor Wat and Angkor Thom are effortlessly photogenic, so much so it seems impossible to take a bad picture of them. John McDermott’s photographs are especially fine, not least because he’s used infra-red film which always gives foliage a peculiar luminous appearance. Simon Marsden is the big populariser of this technique with his many photographs of ruins in Britain and Ireland.

Previously on { feuilleton }
Adolph Sutro’s Gingerbread Palace
The Jantar Mantar
Hungarian water towers
Karel Plicka’s views of Prague
Atget’s Paris